Okrent, Daniel. Last Call The Rise and Fall of Prohibition. Scribner (May 11, 2010)

The author explores the process of prohibition of the production, sale and even transportation of alcohol and any other intoxicating liquor in the United States. He explains how this prohibition came into effect. He says that the prohibition came through the eighteenth amendment to the American constitution whose cause was fueled by several movements among them being the famous anti-immigrant sentiment and temperance movement among others. Advertising We will write a custom essay sample on Okrent, Daniel. Last Call: The Rise and Fall of Prohibition. Scribner (May 11, 2010) specifically for you for only $16.05 $11/page Learn More He breaks down on the politics involved in this prohibition in the year 1919 till the enactment of the prohibition in the year that followed. The author is generally trying to put across the changes that took place after the prohibition was effected both in terms of culture and way of life. He explores the reaction of the ordina ry citizens where he asks and provides answers to this social experiment that seems not to be successful due to the outcomes witnessed like rise in gangster era. The author relied on the primary sources to obtain first hand information concerning this scenario. He collected this information from the ordinary American citizens to gauge their perception concerning prohibition that was effected following the eighteenth amendment to the constitution. However he also employed secondary works like the constitution review in explaining the amendments made to the constitution that prohibited any intoxicating liquor in United States. The sources were very appropriate to the main theme that the author was trying to put across following the fact that he wanted to explore the politics of prohibition and the consequences that followed. He had to get the information from the citizens themselves. Being a journalist, the author has demonstrated good skills on the use and analysis of various source s to explore the politics of prohibition. One example demonstrating good use of the sources is where he explores prohibition not only in terms of what was amended in the constitution but also applies this knowledge to relate prohibition to the earliest themes in the 20th century and traces its roots of emergence from ethnic, religious, social and political backgrounds. According to my own observation of the author’s ideas, I think he demonstrates some form of prejudice and bias. He terms the whole prohibition scenario as a failed social experiment. He says that many ordinary citizens did not respond positively following the enactment of this prohibition. Advertising Looking for essay on american literature? Let's see if we can help you! Get your first paper with 15% OFF Learn More In other words, the ordinary American citizens did not welcome the amendment. As much as the law enforcers expected positive outcomes in terms of culture and way of life, the opposite turned out as the outcome. According to my own assessment, this is a very interesting book in a way that it explores the process of change, enactment of change and the outcomes of change. As much as change is desirable, sometimes the more things are changed, the more they remain the same and this has been well demonstrated in this book where by banning of alcohol did not realize changes expected. Instead, things remained the same as before leading to a failed social experiment. This is a very useful book in this course as it teaches on prohibition and effects of change. In order to be successful in enacting new laws, the ordinary citizens play a vital role since they are the ones that determine the success of the change. This essay on Okrent, Daniel. Last Call: The Rise and Fall of Prohibition. Scribner (May 11, 2010) was written and submitted by user ShinkoYamashiro to help you with your own studies. You are free to use it for research and reference purposes in order to write your own paper; however, you must cite it accordingly. You can donate your paper here.

Free Essays on Jocob Lawrence

African American Artist Jacob Lawrence’s work entitled â€Å"Tombstones† With the Harlem Scene and culture as the primary source of encouragement, Jacob Lawrence possessed a profound understanding of black history that is not normally included in textbooks. Lawrence made exposing the reality of black history through art his life quest. His original intention was to provide African Americans with a sense of pride, accomplishment, and hope during a period in time where many African Americans were experiencing a multitude of extreme political, social economic and racial injustices. One of the most famous works of Jacob Lawrence is titled â€Å"Tombstones,† and it was done in 1942, in Harlem, New York. Lawrence was the first African American to gain recognition in the world of American art with the Migration series. The main features or characteristics of the work of art are a strong sense of family and community. â€Å"Tombstones† belongs to the Social realists Movement period of art history. Lawrence, in fact, created his own distinct style, which was a new brand of modernism, revealing topics based on personal experience of Harlem and the lives and aspirations African Americans. He liked to call his style â€Å"dynamic cubism.† In all actuality, â€Å"Tombstones† is not a completed work, in a sense. In fact, it is just a piece of the completed work that brought Jacob Lawrence to a level recognition, which is called â€Å"The Migration of the Negro Panel,† or â€Å"The Migration Series.† The series was comp iled of thirteen separate works that were placed together, that each represented different points of view about the positions of blacks. The topics were; Migration, Transition, Injustice, Struggle, Labor, Education, Discrimination, North/South, Women Workers, Family and Community (â€Å"Tombstones†), Neighborhood and Self. During his career, Lawrence gad a fascination with movies during the Depression years, which... Free Essays on Jocob Lawrence Free Essays on Jocob Lawrence African American Artist Jacob Lawrence’s work entitled â€Å"Tombstones† With the Harlem Scene and culture as the primary source of encouragement, Jacob Lawrence possessed a profound understanding of black history that is not normally included in textbooks. Lawrence made exposing the reality of black history through art his life quest. His original intention was to provide African Americans with a sense of pride, accomplishment, and hope during a period in time where many African Americans were experiencing a multitude of extreme political, social economic and racial injustices. One of the most famous works of Jacob Lawrence is titled â€Å"Tombstones,† and it was done in 1942, in Harlem, New York. Lawrence was the first African American to gain recognition in the world of American art with the Migration series. The main features or characteristics of the work of art are a strong sense of family and community. â€Å"Tombstones† belongs to the Social realists Movement period of art history. Lawrence, in fact, created his own distinct style, which was a new brand of modernism, revealing topics based on personal experience of Harlem and the lives and aspirations African Americans. He liked to call his style â€Å"dynamic cubism.† In all actuality, â€Å"Tombstones† is not a completed work, in a sense. In fact, it is just a piece of the completed work that brought Jacob Lawrence to a level recognition, which is called â€Å"The Migration of the Negro Panel,† or â€Å"The Migration Series.† The series was comp iled of thirteen separate works that were placed together, that each represented different points of view about the positions of blacks. The topics were; Migration, Transition, Injustice, Struggle, Labor, Education, Discrimination, North/South, Women Workers, Family and Community (â€Å"Tombstones†), Neighborhood and Self. During his career, Lawrence gad a fascination with movies during the Depression years, which...

Bride Wars and Year One

They get the wedding planner of their dreams, Marion St Clair who turns out to be the wedding planner of their nightmares and accidently books their weddings on the same day! Neither of them will agree to change their date, so they become enemies. As the tag line quotes â€Å"Even best friends can’t share the same wedding day. † The cake knives are out, but how will everything turn out? â€Å"Year One† is an American film also released in 2009, it is an example of a romantic adventure comedy. It is about two accident-prone Palaeolithic warriors. Jack Black who plays â€Å"Zed â€Å" is a prehistoric would-be hunter he gets kicked out of the tribe in the forest for eating the forbidden fruit from the tree of knowledge of good and evil. His side kick, â€Å"Oh† played by Michael Cera is a gatherer and turns up to â€Å"try† and save him. The film is about their adventures set in the prehistoric era trying to save their two friends Maya and Eema. Both girls are from their former tribe and have been captured and sold into slavery, on their travels Zed and Oh meet Biblical characters on route to the city of Sodom. Do they succeed in saving them? Although they are of the same genre they couldn’t be more different films. â€Å"Bride Wars† is set in the 21st century, whereas â€Å"Year One† is set in Palaeolithic era, this means there is a very big contrast between them. Bride Wars gives the impression of being a comedy from the expressions on both the actors’ faces. They are both looking straight into each other’s eyes showing a devious look with a comic smirk, in a horror film there would be no trace of a comic smirk. â€Å"Year One† has the aesthetics of a comedy with Jack Black’s expression being apprehensive and confused, his eyebrow is raised. Michael Cera’s facial expression is one of worried eyes which suggests he is just merely a side kick, and doesn’t really have a say in what Jack is going to do next! â€Å"Bride Wars† gives the impression of comedy on the poster, you would never expect brides to have a â€Å"war† or the weapons to be cake knives. Year One† suggests that it is set in prehistoric times, the first year of man, but the title doesn’t really have a comic sense about it, I believe this is why the director cast Jack Black to star in it, he is a very well known for his comedy roles. People will know that a film with Jack as the main character is going to be entertaining and funny so will choose to see it on that basis. The advertising poster for â€Å"Bride Wars† implies some type of confrontation in the plot. In â€Å"Bride Wars† the actors Kate Hudson and Anne Hathaway have a look in their eyes of pure distain. Anne Hathaway is a popular actress with female audiences of all ages. She has featured in many other films such as Princess Diaries, Ella Enchanted, Devil wears Prada and Brokeback Mountain, again she has a good following. In the poster both young ladies are dressed in wedding dresses this helps to emphases the term â€Å"bride† to look more potent, The actors have their hair down, which suggest a fight is about to break out, as brides nearly always have their hair up in an â€Å"updo†. The poster for â€Å"Year One† doesn’t imply a lot, being dressed in animal cloth relates to the title of the film and lets the audience know that this movie is set in pre-historic times. This leads me to think they might have gotten lost in an adventure, their body language looks like they have just seen something that is confusing or worrying to them. The colours used in each poster have soft tones, nothing potent or eye catching. Except the titles as this is what grabs the audience’s attention as they walk past. â€Å"Bride Wars† uses the colour theme of white and cream, these colours are usually associated with weddings e. g. purity, virgin brides, and wedding dresses, this again emphases the term â€Å"Bride. Year One’s theme is a desert landscape with a blue sky, this suggests it’s a hot day and they might be lost. The actors are the main focus of these posters; this suggests that the films revolve around them. The tag lines are intriguing, the tag line for Bride Wars suggests a confrontation within the film, and the tag line for â€Å"Year One† doesn’t give any clues to the plot of the film. This makes the person reading the poster want to learn more about these tag lines and what happens in the film, these help to grab the audience’s attention to hopefully go and see the film to find out more about them. The bold text in the â€Å"Year One† poster against the desert background makes the text stand out in the poster and catch people eye as they see it. The â€Å"Bride Wars† text on the word bride is similar to the text used on wedding invitations and further relates back to the film title. I think both posters have a target audience. Bride Wars is aimed at female teenagers and also would be appealing to female adults as it is about love and marriage. It is a feminine film, these are sometimes referred to as â€Å"chick flicks. † Year One is more of a teenagers film, not quite as girly as Bride Wars so might appeal to a wider audience. Teenagers are big fans of comedies and new movies that have just been released, they feel they can relate to them as they are light hearted and not serious. These posters inform their intended audience about the film, they try to entice them with intriguing tag lines that make the reader interested and wanting to see the film, and as they say â€Å"curiosity killed the cat. † They also inform people about the name, age certificate, genre, actors, and director, trying to persuade them in every way they can to see their film, to make it a success. In conclusion the posters are about as different as the films, â€Å"Year One† gives very little away about what is going to happen in the film so people will be curious to find out more, and perhaps research the film or discuss with friends what it’s about. Word of mouth is the best advert so getting people to talk about the film is a main goal for the poster. On the other hand the poster for â€Å"Bride Wars† lets you know the plot of the film, so when people see it they can make an instant decisions whether it interests them or not. Seeing two brides holding knives makes your imagination run and you just want to know what is going to happen. Both posters have a different target market, which explains why they are so different as they are tailored to appeal to different audiences. The posters have to grab and get the attention and curiosity of the people that they are aimed at and ultimately encourage them to want to go and see the film. Hopefully after seeing the film they will relay their experiences and enjoyment to other people and that will entice them to see the film too! Bride Wars and Year One They get the wedding planner of their dreams, Marion St Clair who turns out to be the wedding planner of their nightmares and accidently books their weddings on the same day! Neither of them will agree to change their date, so they become enemies. As the tag line quotes â€Å"Even best friends can’t share the same wedding day. † The cake knives are out, but how will everything turn out? â€Å"Year One† is an American film also released in 2009, it is an example of a romantic adventure comedy. It is about two accident-prone Palaeolithic warriors. Jack Black who plays â€Å"Zed â€Å" is a prehistoric would-be hunter he gets kicked out of the tribe in the forest for eating the forbidden fruit from the tree of knowledge of good and evil. His side kick, â€Å"Oh† played by Michael Cera is a gatherer and turns up to â€Å"try† and save him. The film is about their adventures set in the prehistoric era trying to save their two friends Maya and Eema. Both girls are from their former tribe and have been captured and sold into slavery, on their travels Zed and Oh meet Biblical characters on route to the city of Sodom. Do they succeed in saving them? Although they are of the same genre they couldn’t be more different films. â€Å"Bride Wars† is set in the 21st century, whereas â€Å"Year One† is set in Palaeolithic era, this means there is a very big contrast between them. Bride Wars gives the impression of being a comedy from the expressions on both the actors’ faces. They are both looking straight into each other’s eyes showing a devious look with a comic smirk, in a horror film there would be no trace of a comic smirk. â€Å"Year One† has the aesthetics of a comedy with Jack Black’s expression being apprehensive and confused, his eyebrow is raised. Michael Cera’s facial expression is one of worried eyes which suggests he is just merely a side kick, and doesn’t really have a say in what Jack is going to do next! â€Å"Bride Wars† gives the impression of comedy on the poster, you would never expect brides to have a â€Å"war† or the weapons to be cake knives. Year One† suggests that it is set in prehistoric times, the first year of man, but the title doesn’t really have a comic sense about it, I believe this is why the director cast Jack Black to star in it, he is a very well known for his comedy roles. People will know that a film with Jack as the main character is going to be entertaining and funny so will choose to see it on that basis. The advertising poster for â€Å"Bride Wars† implies some type of confrontation in the plot. In â€Å"Bride Wars† the actors Kate Hudson and Anne Hathaway have a look in their eyes of pure distain. Anne Hathaway is a popular actress with female audiences of all ages. She has featured in many other films such as Princess Diaries, Ella Enchanted, Devil wears Prada and Brokeback Mountain, again she has a good following. In the poster both young ladies are dressed in wedding dresses this helps to emphases the term â€Å"bride† to look more potent, The actors have their hair down, which suggest a fight is about to break out, as brides nearly always have their hair up in an â€Å"updo†. The poster for â€Å"Year One† doesn’t imply a lot, being dressed in animal cloth relates to the title of the film and lets the audience know that this movie is set in pre-historic times. This leads me to think they might have gotten lost in an adventure, their body language looks like they have just seen something that is confusing or worrying to them. The colours used in each poster have soft tones, nothing potent or eye catching. Except the titles as this is what grabs the audience’s attention as they walk past. â€Å"Bride Wars† uses the colour theme of white and cream, these colours are usually associated with weddings e. g. purity, virgin brides, and wedding dresses, this again emphases the term â€Å"Bride. Year One’s theme is a desert landscape with a blue sky, this suggests it’s a hot day and they might be lost. The actors are the main focus of these posters; this suggests that the films revolve around them. The tag lines are intriguing, the tag line for Bride Wars suggests a confrontation within the film, and the tag line for â€Å"Year One† doesn’t give any clues to the plot of the film. This makes the person reading the poster want to learn more about these tag lines and what happens in the film, these help to grab the audience’s attention to hopefully go and see the film to find out more about them. The bold text in the â€Å"Year One† poster against the desert background makes the text stand out in the poster and catch people eye as they see it. The â€Å"Bride Wars† text on the word bride is similar to the text used on wedding invitations and further relates back to the film title. I think both posters have a target audience. Bride Wars is aimed at female teenagers and also would be appealing to female adults as it is about love and marriage. It is a feminine film, these are sometimes referred to as â€Å"chick flicks. † Year One is more of a teenagers film, not quite as girly as Bride Wars so might appeal to a wider audience. Teenagers are big fans of comedies and new movies that have just been released, they feel they can relate to them as they are light hearted and not serious. These posters inform their intended audience about the film, they try to entice them with intriguing tag lines that make the reader interested and wanting to see the film, and as they say â€Å"curiosity killed the cat. † They also inform people about the name, age certificate, genre, actors, and director, trying to persuade them in every way they can to see their film, to make it a success. In conclusion the posters are about as different as the films, â€Å"Year One† gives very little away about what is going to happen in the film so people will be curious to find out more, and perhaps research the film or discuss with friends what it’s about. Word of mouth is the best advert so getting people to talk about the film is a main goal for the poster. On the other hand the poster for â€Å"Bride Wars† lets you know the plot of the film, so when people see it they can make an instant decisions whether it interests them or not. Seeing two brides holding knives makes your imagination run and you just want to know what is going to happen. Both posters have a different target market, which explains why they are so different as they are tailored to appeal to different audiences. The posters have to grab and get the attention and curiosity of the people that they are aimed at and ultimately encourage them to want to go and see the film. Hopefully after seeing the film they will relay their experiences and enjoyment to other people and that will entice them to see the film too!

Should Athletes be role models Annotated Bibliography

Should Athletes be role models - Annotated Bibliography Example Dr. Connor asks that are the millions spent on the quest for Olympic gold really value for money. The investment is meant to buy success, create role models and encourage engagement, but it does not. The Olympics was founded on participation and the "spirit" of sport. We have now moved so far into ugly nationalism and crass commercialism. The role-model argument is an obvious furphy. Nary has a week gone by without yet another scandal involving an elite athlete - be it drugs, alcohol or violence. As role models, they certainly are poor choices. Athletes, by definition, are obsessive often to the point of being clinically compulsive in their behavior. The author of this article has presented two contradicting views of people about athletes and their conduct as role model. He elucidates that there are two groups of people having varied opinion about it. One group believes that athletes are just similar to other professionals who are being hired and paid by their employers to exhibit best possible performance in their respective sports and, by no means, they are liable to act as role models. While the other group believes that, sportsmen have assumed the status of public figures and they are sometimes blindly being followed by people specially the youth, so it is their social and moral obligation to present themselves as role models. The author of this book is a female athlete and presents women athletes as cultural icons.

Intelligence-led policing requirements of COMPSTAT Essay

Intelligence-led policing requirements of COMPSTAT - Essay Example The implication of this is that the commander naturally throws in his ‘enthusiastic support and energetic leadership’ to the program and the immediate goal of the program considering that his name and reputation is on the line, which is tangibly manifested by his obligation to personally deliver the report in the presence of the top brass and other units. COMPSTAT, like ILP, is largely based on the analysis of crime-related data and statistics, with analysts forming an integral part of its operations collating all submitted crime-related data and making sense of them through the crime mapping. The analysts then prepare the COMPSAT book, upon which the week’s presentation and discussions during the standard COMPSAT session are based on. The only difference is that in the ILP, the data gathered and collected are not necessarily known facts and statistics but unconventionally gathered data from tips, leads and reports of suspicious activities. Meetings and sessions a re also held in the COMPSTAT policing program periodically conducted usually, at least, once a week. This meetings and sessions, however, cannot be strictly categorized as the strategic and tactical, as required in ILP, because they consist mostly of presentation by a commander of the crime-related incidents in his/her jurisdiction and the strategies taken as a consequence and an interrogation of some sort by a facilitator, usually the chief or his designated assistant, of the law enforcers commander.

Evolution vs Creationism Essay Example for Free

Evolution vs Creationism Essay Many people have their different opinions on how the world came to be. In some cases, people think that the world came to existence from what we call The Big Bang Theory, and others think it was The Almighty God that created the world. I will begin to explain what each is, the origin they came from and their evidence to support their own explanation of how the world was created. What is evolution? Well, evolution can be a difficult concept for people to come to terms with, especially if they do not have much experience with life sciences. Unfortunately, there are too many examples of people who do not understand any of it with many of these people tries to criticize evolution while promoting creationism. Evolution is not a minor matter; it is, in fact, the cornerstone of all modern biology. What is creationism? Like evolution, creationism can have more than one meaning. At its most basic, creationism is the belief that the universe was created by The Almighty God. In some cases, it even is stated that creationism is someone who believes in a god who is absolute creator of heaven and earth, out of nothing, by an act of free will. Many might say that the origins of the evolution came to terms that the universe, with all it contains (space, time, matter and energy) exploded from nothing which is considered The Big Bang, and is the accepted theory among the majority of evolutionists. Evolution is a very unique â€Å"science.† Unlike the origin of creationism, were people believe that it came from The Almighty God. This generally means the taking of the Bible, particularly the early chapters of Genesis, as literally true guides to the history of the universe and to the history of life, including us humans, down here on earth. In a way, creationism is more of a restricted sense of a variety of beliefs that people have in this century and previous ones as well. The evidence that support these findings is very different in many aspects. People say that with evolution, the evidence is very visible. For example, there is biochemical evidence, genetic evidence, and also fossil evidence for how evolution came about. But in creationism, there isn’t any evidence to support it whatsoever. Understanding evolution over creationism is greatly aided by a better understanding of what kinds of evidence exist out there as well as how and why all the evidence clearly supports evolutionary theory but not creationist religion.

Faustus Study and Opening Speech -- Doctor Faustus Plays English Lite

Faustus' Study and Opening Speech The scene now shifts to Faustus’s study, and Faustus’s opening speech about the various fields of scholarship reflects the academic setting of the scene. In proceeding through the various intellectual disciplines and citing authorities for each, he is following the dictates of medieval scholarship, which held that learning was based on the authority of the wise rather than on experimentation and new ideas. This soliloquy, then, marks Faustus’s rejection of this medieval model, as he sets aside each of the old authorities and resolves to strike out on his own in his quest to become powerful through magic. As is true throughout the play, however, Marlowe uses Faustus’s own words to expose Faustus’s blind spots. In his initial speech, for example, Faustus establishes a hierarchy of disciplines by showing which are nobler than others. He does not want merely to protect men’s bodies through medicine, nor does he want to protect their property through law. He wants higher things, and so he proceeds on to religion. There, he quotes selectively from the New Testament, picking out only those passages that make Christianity appear in a negative light. He reads that â€Å"[t]he reward of sin is death,† and that â€Å"[i]f we say we that we have no sin, / We deceive ourselves, and there is no truth in us† (1.40–43). The second of these lines comes from the first book of John, but Faustus neglects to read the very next line, which states, â€Å"If we confess our sins, [God] is faithful and just to forgive us our sins, and to cleanse us from all unrighteo usness† (1 John 1:9). Thus, through selective quoting, Faustus makes it seem as though religion promises only death and not forgiveness, and so he easily rejects religion with a fatalistic â€Å"What will be, shall be! Divinity, adieu!† (1.48). Meanwhile, he uses religious language—as he does throughout the play—to describe the dark world of necromancy that he enters. â€Å"These metaphysics of magicians / And necromantic books are heavenly† (1.49–50), he declares without a trace of irony. Having gone upward from medicine and law to theology, he envisions magic and necromancy as the crowning discipline, even though by most standards it would be the least noble. Faustus is not a villain, though; he is a tragic hero, a protagonist whose character flaws lead to his downfall. Marlowe imbues him with tragic gr... ...here but down, into mediocrity. There is no sign that Faustus himself is aware of the gulf between his earlier ambitions and his current state. He seems to take joy in his petty amusements, laughing uproariously when he confounds the horse-courser and leaping at the chance to visit the Duke of Vanholt. Still, his impending doom begins to weigh upon him. As he sits down to fall asleep, he remarks, â€Å"What art thou, Faustus, but a man condemned to die?† (10.24). Yet, at this moment at least, he seems convinced that he will repent at the last minute and be saved—a significant change from his earlier attitude, when he either denies the existence of hell or assumes that damnation is inescapable. â€Å"Christ did call the thief upon the cross,† he comforts himself, referring to the New Testament story of the thief who was crucified alongside Jesus Christ, repented for his sins, and was promised a place in paradise (10.28). That he compares himself to this figure shows that Faustus assumes that he can wait until the last moment and still escape hell. In other words, he wants to renounce Mephastophilis, but not just yet. We can easily anticipate that his willingness to delay will prove fatal.